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Untitled
© » KADIST

Trisha Donnelly

Photography (Photography)

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.

Nothing New
© » KADIST

Oded Hirsch

Film & Video (Film & Video)

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead.

Hand Palm Echo 1
© » KADIST

Christine Sun Kim

NFT (NFT)

Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.

100 Boots
© » KADIST

Eleanor Antin

Photography (Photography)

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.

Shangri-La
© » KADIST

Patty Chang

Film & Video (Film & Video)

The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention.

Untitled (Joseph T. Robinson Standing at a Podium in a Room), Damaged series
© » KADIST

Lisa Oppenheim

Drawing & Print (Drawing & Print)

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.

Untitled (Governor of Ohio Judson Harmon), Damaged series
© » KADIST

Lisa Oppenheim

Drawing & Print (Drawing & Print)

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.

No Title
© » KADIST

Félix González-Torres

Photography (Photography)

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris).

Forest Gathering N.2
© » KADIST

Gregory Crewdson

Photography (Photography)

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination.

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

Photography (Photography)

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.

Untitled (Ruby Downing sitting between two Unidentified Men in a Room), Damaged series
© » KADIST

Lisa Oppenheim

Drawing & Print (Drawing & Print)

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.

Herculine's Profecy
© » KADIST

Juliana Huxtable

Sculpture (Sculpture)

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom. This composition is stuck to a metal plate by a series of button magnets, with interjecting phrases on them. The juxtaposition between the mysogynistic, almost puritan poetry that stripes across the bottom and the powerful crouching pose that the femme demon assumes inverts the hegemonic text , instead creating a space of alterity.

Green Box
© » KADIST

Ari Marcopoulos

Photography (Photography)

A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California. In the past a photograph of marijuana would more likely be found in an evidence file than an art museum or gallery, but today continued debates about the legality of marijuana and the industry surrounding it has brought the substance into common public view. Green Box is a strong example of the current sociopolitical state of California and the grey areas that exist in legislature and at the same time illustrates the unavoidable commercialization of once underground cultures.

The Last Post
© » KADIST

Shahzia Sikander

Film & Video (Film & Video)

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China. In this animation, layers of images, abstract forms, meaning, and metaphorical associations slowly unfold at the same time that more visual myths are created. The identity of the protagonist, a red-coated official, is indeterminate and suggestive of both the mercantilist policies that led to the Opium Wars with China and the cultural authority claimed by the Company school of painting over colonial India.

Cemetery #1
© » KADIST

Gabriel Orozco

Photography (Photography)

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July. I traveled to Mali for three weeks and took some photographs related to my work. They are very different, but there are links as the graveyard of Timbuktu, which I discovered during the trip.

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

Photography (Photography)

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.

Jackass
© » KADIST

Ari Marcopoulos

Photography (Photography)

In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home. One plays with some sort of board game while the other holds either a book or DVD of the movie Jackass Number Two, presumably the source of the photograph’s title. As Marcopoulos has continued to document his sons, and as they have become teenagers, the images of them begin to closely resemble the teenagers in much of his earlier work.

#17 Pink
© » KADIST

James Welling

Photography (Photography)

#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.

Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

Gabriel Orozco often documents found situations in the natural or urban landscape. He travels armed with his camera and insightfully captures scenes of the everyday that other people might ignore. Perro en Tlalpan (Dog in Tlalpan, 1992) is a photograph of a dog regally perched under an industrial shelter in the borough of Tlalpan in Mexico City.

Stowe
© » KADIST

James Welling

Photography (Photography)

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.

SHE MAD: Laughing Gas
© » KADIST

Martine Syms

Film & Video (Film & Video)

Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.

California Stories Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975)
© » KADIST

Allan Sekula

Photography (Photography)

San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.

The White Album
© » KADIST

Mungo Thomson

Drawing & Print (Drawing & Print)

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.

Ammo Bunker
© » KADIST

Mario Ybarra Jr.

Installation (Installation)

Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach.

Domes, #1
© » KADIST

Judy Chicago

Sculpture (Sculpture)

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles. By 1968, the year she began creating Domes , the twenty-nine-year-old artist had moved from Chicago to Los Angeles, graduated from UCLA, and was part of a generation of artists whose work was characterized by of the masculine overtones of Southern California’s flourishing car culture. Inspired by new technologies in the auto manufacturing, these “Finish Fetish” artists appropriated industrial materials such as car paint or lacquer to create artwork with pristine finishes.

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

Drawing & Print (Drawing & Print)

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.

Fedex® Large Kraft Box 2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9-14, 2011, International Priority, Bejing-London trk#874594463978, March 13-15, 2012, International Priority, London-San Francisco, trk#777001529227, August 16-18, 2016, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

Sculpture (Sculpture)

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.

Untitled (Miller House, #02)
© » KADIST

Luisa Lambri

Photography (Photography)

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.

Splinters and Seconal
© » KADIST

Ed Ruscha

Painting (Painting)

In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.

Hank Willis Thomas

Mungo Thomson

Miljohn Ruperto

Gabriel Orozco

Luisa Lambri

Daniel Joseph Martinez

Lisa Oppenheim

Ed Ruscha

Lin Yilin

Walead Beshty

John Baldessari

Christine Sun Kim

Jedediah Caesar

Kara Walker

Ari Marcopoulos

Tony Labat

Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene...

Chris Wiley

An-My LE

Clarissa Tossin

Alexis Smith

Catherine Opie

Andrea Bowers

Paul McCarthy

Patty Chang

Jeff Burton

Valeska Soares

N. Dash

© » ARTFORUM

about 3 months ago (02/06/2024)

Frieze Announces Participants in 2024 New York Edition – Artforum Read Next: EXPO CHICAGO ANNOUNCES PARTICIPANTS FOR 2024 EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

© » ARTNEWS MARKET

about 3 months ago (02/06/2024)

Frieze New York Names 68 Galleries for 2024 Edition in May Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All February 6, 2024 9:07am Frieze New York's home, The Shed...

© » THEARTNEWSPER

about 3 months ago (02/05/2024)

Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...

© » ARTFORUM

about 3 months ago (02/02/2024)

Expo Chicago Announces Participants for 2024 Edition – Artforum Read Next: RUTH FOUNDATION FOR THE ARTS NAMES WINNERS OF INAUGURAL $100,000 RUTH AWARDS Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

© » ARTSY

about 3 months ago (01/29/2024)

Perrotin announces new Los Angeles space...

© » FAD MAGAZINE

about 3 months ago (01/26/2024)

Frieze reveals shortlist for Frieze Los Angeles Film Award - FAD Magazine Skip to content By Mark Westall • 26 January 2024 Share — Frieze has revealed the eight emerging filmmakers shortlisted for the 2024 Deutsche Bank Frieze Los Angeles Film Award...

Kara Walker
© » ARTLYST

about 4 months ago (01/17/2024)

Brent Sikkema, the Manhattan art dealer renowned for representing artists such as Jeffrey Gibson and Kara Walker found dead The post Brent Sikkema – Visionary Art Dealer Of Jeffrey Gibson And Kara Walker Murdered appeared first on Artlyst ....

© » WHITEHOT

about 5 months ago (12/18/2023)

Photos: Studio visit with Ana Villagomez advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Photos: Studio visit with Ana Villagomez PHOTOS BY MARCARSON December 14, 2023 Studio visit photos with Ana Villagomez forth coming solo show spring 2024 with Nino Mier Gallery, Los Angeles...

© » THEARTNEWSPER

about 5 months ago (12/18/2023)

The late self-taught street photographer Vivian Maier will have her first major New York exhibition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions preview The late self-taught street photographer Vivian Maier will have her first major New York exhibition The Manhattan branch of photography museum Fotografiska will put around 200 works by the reclusive savant on view in May 2024 Gabriella Angeleti 18 December 2023 Share Vivian Maier, Self-Portrait, New York, NY , 1954 Courtesy Fotografiska The late French American photographer Vivian Maier , who rose to fame posthumously after her archive was serendipitously rediscovered in the late 2000s, will have her first major exhibition in New York next year at Fotografiska...

Ed Ruscha
© » ART & OBJECT

about 5 months ago (12/12/2023)

Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » WHITEHOT

about 5 months ago (12/12/2023)

Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...

© » ART CENTRON

about 5 months ago (12/09/2023)

Exploring The Other California: A Photographic Journey by Peter Turnley - Artcentron Home » Exploring The Other California: A Photographic Journey by Peter Turnley ART Dec 9, 2023 Ξ Leave a comment Exploring The Other California: A Photographic Journey by Peter Turnley posted by ARTCENTRON Portrait of a Farmer in The Other California, 1975 by Photography by Peter Turnley The Other California , 1975, a photography book by Peter Turnley, celebrates migrant workers, hobos, and everyday heroes, and challenges the prevalent stereotypes of the state...

Mark Grotjahn
© » CONTEMPORARYARTDAILY

about 5 months ago (12/08/2023)

November 3 – December 20, 2023...

© » FAD MAGAZINE

about 5 months ago (12/06/2023)

Frieze Los Angeles 2024 details revealed...

© » GALERIE MAGAZINE

about 5 months ago (12/04/2023)

From New York to Los Angeles, 8 Must-See Solo Gallery Shows in December - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Arghavan Khosravi: True to Self" at Rachel Uffner Gallery...

An-My LE
© » APERTURE

about 5 months ago (12/01/2023)

For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....

© » ARTSY

about 5 months ago (12/01/2023)

Elliott Erwitt, photographer who captured Marilyn Monroe and New York City, has died at 95...

© » ARTNEWS MARKET

about 5 months ago (11/30/2023)

Frieze LA Names 95 Exhibitors for 2024 Edition – ARTnews.com Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All November 30, 2023 10:00am A rendering for the new layout for Frieze LA 2024...

Catherine Opie
© » ROYAL ACADEMY

about 7 months ago (10/05/2023)

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Ed Ruscha
© » LARRY'S LIST

about 19 months ago (10/05/2022)

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Jonathan Pessin has stuffed his apartment with the fruits of his obsessive search for the “best, weirdest version” of seemingly everything....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Eugenio López Alonso divides his time between Los Angeles and Mexico, filling both homes with paintings and sculpture....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

As the Cheech Marin Center for Chicano Art and Culture debuts, its founder hopes to inspire a renaissance in a region of California lacking public arts funding....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Over the course of 40 years, Alvin Hall has amassed a trove of blue-chip artists merely by trusting his eye....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

For Muzeo, a publicly funded museum in downtown Anaheim, and for actor and art collector Cheech Marin, it’s a take two....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

The Marciano Art Foundation opened in 2017 as L...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Robert Rifkind, philanthropist and "game-changing" collector of German Expressionist works, has died....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

How the Rich Get Spending Money: Locking Fine Art in Storage and Borrowing against It - via Los Angeles Times...

© » THE JEALOUS CURATOR

about 24 months ago (05/14/2022)

Can you imagine photographing icons like Betty White and Prince? Well my podcast guest today doesn’t have to imagine… it’s HER JOB!?! Yep, American photographer Mary Ellen Matthews has been the in-house photographer at Saturday Night Live since 1999....

© » PAINTERS' TABLE

about 64 months ago (01/22/2019)

Seen in New York, January 2019 | Painters' Table Skip to main content Seen in New York, January 2019 Submitted by Paul Corio on January 21, 2019...

© » KADIST

about 52 months ago (02/01/2020)

© » KADIST

about 55 months ago (11/09/2019)

© » KADIST

about 60 months ago (05/22/2019)

© » KADIST

about 73 months ago (05/14/2018)

© » KADIST

about 210 months ago (01/25/2007)